yves saint laurent 1960s collection | yves Saint Laurent designer yves saint laurent 1960s collection In 1960, Yves Saint Laurent unveiled his “Beat” collection for Christian Dior, inspired by the existentialists of Paris’s bohemian Left Bank. The collection was largely black, and. Prices range from 1,900 euros for a single stud earring to 145,000 euros for the Gourmette necklace, a laser-cut white gold piece with 13 carats of diamond pavé. The collection is being sold in.
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Yves Saint Laurent’s final collection for Dior in 1960 drew upon beatnik and other nonconformist styles, reinterpreting them with couture materials and techniques. His iconic “Chicago” jacket, .1960s. Resources for Research. The Met's Libraries and Research Centers provide .
In 1960, Yves Saint Laurent unveiled his “Beat” collection for Christian Dior, inspired by the existentialists of Paris’s bohemian Left Bank. The collection was largely black, and.The Mondrian Revolution. In 1965, Yves Saint Laurent paid tribute to Mondrian by designing cocktail dresses that evoked the painter’s abstract canvases. Their simple cuts, geometrical lines, and bold colors gave the designer’s collection a . Yves Saint Laurent and his models at the presentation of Saint Laurent’s autumn-winter 1960 collection at the House of Dior. Photograph: TopFoto. The connection between .
Between 1958 and 1960, Yves Saint Laurent designed six collections for Dior. According to the press release for his third collection, under his direction, “the figure was lost in favor of style.” .His 1960 collection was influenced by the beatnik movement and made use of leather and dark colors. Saint Laurent was the first to propose a leather jacket as a haute couture piece. This time, however, both the press and Dior’s .
Simple 1960s shift dresses often acted as canvasses for bold adornments, an idea that Yves Saint Laurent took quite literally. His fall 1965 collection became known as his “Mondrian” collection, .
From 1962 till his death in 2008, Saint-Laurent would create some of the most iconic and inspirational collections in fashion.Knowing the flat planes of the 1960s canvases achieved by contemporary artists in the lineage of Mondrian, Saint Laurent made the historical case for the artistic sensibility of his time. Yet he .
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In July 1960 the young Yves Saint Laurent, who had been the Creative Director for the House since 1957, presented the Fall-Winter Souplesse, légèreté, vie collection in which black – one .Yves Saint Laurent’s final collection for Dior in 1960 drew upon beatnik and other nonconformist styles, reinterpreting them with couture materials and techniques. His iconic “Chicago” jacket, for example, which clearly references motorcycle jackets, uses black crocodile trimmed with mink.
In 1960, Yves Saint Laurent unveiled his “Beat” collection for Christian Dior, inspired by the existentialists of Paris’s bohemian Left Bank. The collection was largely black, and.The Mondrian Revolution. In 1965, Yves Saint Laurent paid tribute to Mondrian by designing cocktail dresses that evoked the painter’s abstract canvases. Their simple cuts, geometrical lines, and bold colors gave the designer’s collection a modern feel and proved to be incredibly successful. The haute couture house at 30 bis rue Spontini, Paris. Yves Saint Laurent and his models at the presentation of Saint Laurent’s autumn-winter 1960 collection at the House of Dior. Photograph: TopFoto. The connection between fashion and art has only strengthened over time as more museums around the world curate and present costume exhibitions.
Between 1958 and 1960, Yves Saint Laurent designed six collections for Dior. According to the press release for his third collection, under his direction, “the figure was lost in favor of style.” The couturier dreamed up clothing for the women of his generation and distanced himself from the dictates of 1950s bourgeois elegance.His 1960 collection was influenced by the beatnik movement and made use of leather and dark colors. Saint Laurent was the first to propose a leather jacket as a haute couture piece. This time, however, both the press and Dior’s customers were not convinced. Read the Story dedicated to Yves Saint Laurent's first steps at Christian Dior.
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Simple 1960s shift dresses often acted as canvasses for bold adornments, an idea that Yves Saint Laurent took quite literally. His fall 1965 collection became known as his “Mondrian” collection, in spite of the fact that it contained only six dresses that resembled the Dutch painter’s work. From 1962 till his death in 2008, Saint-Laurent would create some of the most iconic and inspirational collections in fashion.Knowing the flat planes of the 1960s canvases achieved by contemporary artists in the lineage of Mondrian, Saint Laurent made the historical case for the artistic sensibility of his time. Yet he also demonstrated a feat of dressmaking, setting in each block of jersey, piecing in order to create the semblance of the Mondrian order and to .In July 1960 the young Yves Saint Laurent, who had been the Creative Director for the House since 1957, presented the Fall-Winter Souplesse, légèreté, vie collection in which black – one of Christian Dior’s favorite colors – was dominant.
Yves Saint Laurent’s final collection for Dior in 1960 drew upon beatnik and other nonconformist styles, reinterpreting them with couture materials and techniques. His iconic “Chicago” jacket, for example, which clearly references motorcycle jackets, uses black crocodile trimmed with mink. In 1960, Yves Saint Laurent unveiled his “Beat” collection for Christian Dior, inspired by the existentialists of Paris’s bohemian Left Bank. The collection was largely black, and.
The Mondrian Revolution. In 1965, Yves Saint Laurent paid tribute to Mondrian by designing cocktail dresses that evoked the painter’s abstract canvases. Their simple cuts, geometrical lines, and bold colors gave the designer’s collection a modern feel and proved to be incredibly successful. The haute couture house at 30 bis rue Spontini, Paris. Yves Saint Laurent and his models at the presentation of Saint Laurent’s autumn-winter 1960 collection at the House of Dior. Photograph: TopFoto. The connection between fashion and art has only strengthened over time as more museums around the world curate and present costume exhibitions.Between 1958 and 1960, Yves Saint Laurent designed six collections for Dior. According to the press release for his third collection, under his direction, “the figure was lost in favor of style.” The couturier dreamed up clothing for the women of his generation and distanced himself from the dictates of 1950s bourgeois elegance.
His 1960 collection was influenced by the beatnik movement and made use of leather and dark colors. Saint Laurent was the first to propose a leather jacket as a haute couture piece. This time, however, both the press and Dior’s customers were not convinced. Read the Story dedicated to Yves Saint Laurent's first steps at Christian Dior.Simple 1960s shift dresses often acted as canvasses for bold adornments, an idea that Yves Saint Laurent took quite literally. His fall 1965 collection became known as his “Mondrian” collection, in spite of the fact that it contained only six dresses that resembled the Dutch painter’s work. From 1962 till his death in 2008, Saint-Laurent would create some of the most iconic and inspirational collections in fashion.Knowing the flat planes of the 1960s canvases achieved by contemporary artists in the lineage of Mondrian, Saint Laurent made the historical case for the artistic sensibility of his time. Yet he also demonstrated a feat of dressmaking, setting in each block of jersey, piecing in order to create the semblance of the Mondrian order and to .
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